TAILIEUCHUNG - Fascist Spectacle The Aesthetics of Power in Mussolini's Italy

The cases where genuine feelings do come about on hearing tones - . on hearing the tones which constitute a funeral march - are not of an aesthetic nature at all, according to Witasek. The feelings in question are typically founded in personal memories of the hearer or in other non- aesthetic features of the given context. 33 How, then, are we able to experience phantasy-feelings in listening to music at all? This is first of all a consequence of the fact that. | Fascist Spectacle http xtf view docId ft18700444 0 . Preferred Citation Falasca-Zamponi Simonetta. Fascist Spectacle The Aesthetics of Power in Mussolini s Italy. Berkeley University of California Press c1997 1997. http ark 13030 ft18700444 Fascist Spectacle The Aesthetics of Power in Mussolini s Italy Simonetta Falasca-Zamponi UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Oxford 1997 The Regents of the University of California A Ugo e Marusca Preferred Citation Falasca-Zamponi Simonetta. Fascist Spectacle The Aesthetics of Power in Mussolini s Italy. Berkeley University of California Press c1997 1997. http ark 13030 ft187O0444 A Ugo e Marusca xi Acknowledgments This book is the result of long and often difficult research and theorizing on the relation between fascism and aesthetics. I want to thank the numerous friends and colleagues who have encouraged and supported me in this intellectual enterprise. In particular I wish to express my gratitude to Victoria Bonnell for her scholarly guidance and Martin Jay for inspiring and enlightening my interest in the topic. Both offered critical readings of the original dissertation manuscript during my graduate studies at the University of California Berkeley. Jerome Karabel and Giuseppe Di Palma provided insightful suggestions on the original manuscript. Roger Friedland my colleague at the University of Califonia Santa Barbara critically engaged with the argument and presuppositions of my study. Richard Kaplan read commented on and discussed the several different versions of this project. I also greatly benefited from reviewers comments solicited by the University of California Press. During my research in Italy I enjoyed the helpful assistance of Alberto Maria Arpino Renzo De Felice Luigi Goglia and Neri Scerni. Mario Missori and all the librarians and staff at the Archivio Centrale dello Stato in Rome and the Archivio Storico del Ministero degli Esteri .

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