TAILIEUCHUNG - Watercolor Demo

When using masking fluid, it is so important to paint it in accurately. It should be used as if it were paint. So often, one is tempted to "generalize" when using masking fluid. In this detailed view, the masking fluid is easily visible because it is tinted yellow. There is a masking fluid on the market which is clear, but I find this very difficult to use because I can't see it on the page. Masking fluid is used to mask out areas which must remain white or light such as the lion cub's whiskers and the "spark" in. | Watercolor Demo Masking When using masking fluid it is so important to paint it in accurately. It should be used as if it were paint. So often one is tempted to generalize when using masking fluid. In this detailed view the masking fluid is easily visible because it is tinted yellow. There is a masking fluid on the market which is clear but I find this very difficult to use because I can t see it on the page. Masking fluid is used to mask out areas which must remain white or light -such as the lion cub s whiskers and the spark in his eyes. This spark is very important as it gives life to the eyes of both humans and animals - I always mask this tiny dot of light out. TIP The application of masking fluid causes many artists great heartache but I have found an infallible way of applying it - without clogging up brushes. I use an ordinary bar of toilet soap and lightly coat the brush with it. Then I dab the brush on an old towel to get rid of excess moisture. Then I dip it into the masking fluid - and here s the important bit - NEVER reload the brush with masking fluid. Instead when the fluid on the brush is used up I go back to my water back to my soap and back to my old towel . and only THEN do I go back into my masking fluid. It is a bit tedious but it saves brushes The First Layer Using a mixture of Cadmium Yellow Geranium Lake Bluish a magenta color Burnt Umber and Cerulean Blue I paint the first layer. I do not mix a big puddle of the required colour preferring to mix as I paint so that even in this first stage there is variation in colour and mixing can also happen on the page. There is also a variation in tone in this first layer which is achieved by putting down a wash then gently softening too-hard edges by dragging through the wet wash with a clean damp brush. NOT wet as this will .

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