TAILIEUCHUNG - Painting Chris Martin

Step 1 This pose came straight from a still frame of the Coldplay Live 2003 DVD. I sketched the outline onto the canvas in pencil, then blocked in the main areas of colour. The figure and piano contain no blending at this stage, but I wanted to get the background right early on. The coloured lights were difficult to paint, I first laid down the tones in grayscale, then applied the colours in a thin wash. | Painting Chris Martin Step 1 This pose came straight from a still frame of the Coldplay Live 2003 DVD. I sketched the outline onto the canvas in pencil then blocked in the main areas of colour. The figure and piano contain no blending at this stage but I wanted to get the background right early on. The coloured lights were difficult to paint I first laid down the tones in grayscale then applied the colours in a thin wash. Step 2 Here I added the reflection detail to the piano painted in the basic colours of the camera and microphone then worked on the flesh tones added layers with various mixes of white burnt sienna and yellow ochre. Burnt umber and black were added for the darker areas under the wrists. Note that the back of the head contains a lot of red due to the reflected light. Step 3 Mainly working on the face the flesh tones are blended with the darker shadows the details of eyes nose ears and mouth are emphasised with a fine brush and more yellow is added to the flesh tone to give more depth. I started to add thin crimson washes to the black jacket to show the reflected red light which is also being .

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