TAILIEUCHUNG - Sonic Art & Sound Design- P19

Sonic Art & Sound Design- P19:Sonic art is a new art form, or rather, forms. As we shall see, it can encompass a wide range of activities, perhaps wider than almost any other art form. It is an unusual case, based upon a medium that has traditionally been regarded as inferior and subservient to other creative or expressive forms. | PROCESS AND PRACTICE A VIDEO CAMERA IS CLOSER TO A MICROPHONE IN OPERATION THAN IT IS TO A FILM CAMERA VIDEO IMAGES ARE RECORDED ON A MAGNETIC TAPE IN A TAPE RECORDER. THUS WE FIND THAT VIDEO IS CLOSER IN RELATIONSHIP TO SOUND OR MUSIC THAN IT IS TO THE VISUAL MEDIA OF FILM AND PHOTOGRAPHY. BILL VIOLA DIGITAL VIDEO ART DESIGNING AND CREATING SOUNDS Designing sound for film and video As mentioned earlier see the importance of sound design in films and television has steadily increased in recent years. There are a number of reasons for this especially the complexity and performance of cinema sound systems and increasingly the availability of relatively sophisticated surround sound systems for domestic use. Both these factors lead to a demand from consumers for higher quality sound and hence an increased sense of spectacle. It is the role of the sound designer to take responsibility for a huge and often underrated proportion of the narrative mood and emotional content of a movie and to reinforce or contrast with its visual design to create a single effective whole. In his excellent book Sound Design 9 David Sonnenschein writes The true sound designer must be immersed in the story characters emotions environments and genre of the film. With their contribution the audience will be led down the path in an integrated yet most often subconscious manner toward an experience that is authentic and human a metaphor for the life experience itself. Using all the tools of music psychology acoustics and drama the art of orchestration comes into play selecting the right sound for the right moment. The sound designer performs a balancing act between making the best aesthetic choices and the technical parameters of completing the film on time in budget and with the tools and personnel at hand. This suggests that the role of the sound designer has moved from the periphery to the heart of the filmmaking process. Where once it was merely something added in the late stages of .

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