TAILIEUCHUNG - Sonic Art & Sound Design- P28

Sonic Art & Sound Design- P28:Sonic art is a new art form, or rather, forms. As we shall see, it can encompass a wide range of activities, perhaps wider than almost any other art form. It is an unusual case, based upon a medium that has traditionally been regarded as inferior and subservient to other creative or expressive forms. | SOUND DIFFUSION encompassed a number of important aspects of sonic art it was an installation piece it was site-specific it employed multiple media and most importantly it focussed upon the diffusion of sound into the listening system that was developed for this work was substantially larger than most diffusion systems using over 400 loudspeakers. In its time this was a radical approach and one that judging from the composer s own reaction 9 had a very substantial impact indeed upon its listeners. Varèse see also however was by no means the only pioneer who involved himself in sound diffusion. Many early works by Schaeffer and Stockhausen embraced these ideas. Indeed Stockhausen continues to do so by manning the mixing desk himself at performances of his works thus acting as both composer and performer . This is an interesting shift of roles and one that like so many aspects of sonic art challenges traditional boundaries and definitions. Just as with the Philip Glass Ensemble in which the sound engineer takes the stage as an equal member of the group so the diffuser has a multi-faceted role as performer sound engineer and in some senses at least re composer10 in much the same way as a turntablist recomposes his her material. 6. Denis Smalley provides this helpful definition Sound diffusion is the projection and spreading of sound in an acoustic space for a group of listeners - as opposed to listening in a personal space living room office or studio . Another definition would be the sonorizing of the acoustic space and the enhancing of sound-shapes and structures in order to create a rewarding listening experience. Austin L. Sound diffusion in composition and performance an interview with Denis Smalley in Computer Music Journal 24 2 quoted in Dack J. Diffusion as Performance research dackdi 7. From McFarlane W. The development of acousmatics in Montreal 2001 eContact at http econtact .

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