TAILIEUCHUNG - Photoshop cs5 cho nhiếp ảnh gia part 18

Đối với người dùng Photoshop Elements: Mặc định Custom Các yếu tố không hỗ trợ tiết kiệm hoặc tải các cài đặt, nhưng nó cho phép bạn lưu mặc định Camera Raw mới. Để lưu cài đặt của bạn như là mặc định mới cho ACR để sử dụng cho tất cả các hình (trước khi điều chỉnh cá nhân), điều chỉnh các thanh trượt và các thiết lập như mong muốn, và sau đó chọn lưu mới Camera nguyên mặc định. | For Photoshop Elements Users Custom Defaults Elements does not support saving or loading settings but it does allow you to save new Camera Raw defaults. To save your settings as the new default for ACR to use for all images before they are individually adjusted adjust the sliders and settings as desired and then choose Save New Camera Raw Defaults. You will not see a dialog box asking which settings to save it saves all of them. If you later change your mind you can click Reset Camera Raw Defaults. Using the Basic Tab Whether or not you choose to use the Auto settings as your default chances are that you will often want to make some tonal and color adjustments to your images. The ability to easily make subtle tweaks as well as major corrections to your exposure is one of the many advantages of working with the ACR interface. The Basic tab icon is visible by default when the ACR interface first opens it contains the white balance adjustments as well as some exposure and color adjustments. Setting White Balance One of the major advantages of using the ACR interface is the ability to fine-tune the white balance or color cast. If you decide that you want to make your picture as neutral as possible then including a gray card such as the WhiBal card available at or the new SpyderCube within one frame of your pictures makes it easy to determine the correct white balance. Just use the White Balance tool p7 and click the gray tone in the card or cube in your image. In fact you can use this eyedropper to click any pixel within any image that you want to define as neutral that is to say any shade of pure gray from the lightest to the darkest gray and the tonalities within the entire image are remapped accordingly. However for most nature photographers pure neutral is not the goal for most images. We nature photographers tend to like the warm color casts of early morning and late daylight. Sometimes we even like the cool colors of shadows

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