TAILIEUCHUNG - "Historical Dictionary of Modern Chinese Literature" by Li-hua Ying - Part 23

Historical Dictionary of Modern Chinese Literature 23 presents a broad perspective on the development and history of literature in modern China. This book offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature. | 192 WANG ANYI by the entry of the superior cotton introduced from Japan which is closely followed by the Japanese Imperial Army s invasion of China. The novel ends with the family losing two of its members to Japanese brutality. Tie was president of the Hebei Writers Association and in 2006 was elected president of the Chinese Writers Association the first woman to hold that position. See also SINO-JAPANESE WAR. - W - WANG ANYI 1954- . Novelist. Daughter of Ru Zhijuan also a writer Wang Anyi grew up in Shanghai. In 1970 after graduating from middle school she went to the countryside of Jiangsu to be reeducated by the peasants. Two years later she joined a performance troupe in the industrial city of Xuzhou. By the time she returned to Shanghai to work as an editor of a children s magazine she already had several stories to her name. One of the most diverse and influential writers in contemporary China Wang has continued to reinvent herself evolving from a sentimental storyteller to an experimental writer and astute commentator on social mores. It is hard to categorize her work in one or another representational mode. Her love stories best represented by Xiaocheng zhi lian Love in a Small Town subscribe to the realist mode. Xiao bao-zhuan Baotown on the other hand mixes legends with reality to create a sense of permanence that transcends time and space giving the story an allegorical dimension. Likewise Fuxi yu muxi de shenhua Patrilinial and Matrilineal Myths is told with a similar ironic detachment despite its professed autobiographical content. The most imaginative of Wang s writings is Jishi yu xugou The Real and the Fictitious in which the author traces her family history by mixing historical record with her own imagination. In the process of locating her maternal ancestry Wang examines her own sense of place in the metropolis of Shanghai. As metafiction the work is not only a highly fictionalized account of clan history but also a self-conscious commentary on

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