TAILIEUCHUNG - "Historical Dictionary of Modern Chinese Literature" by Li-hua Ying - Part 20

Historical Dictionary of Modern Chinese Literature 20 presents a broad perspective on the development and history of literature in modern China. This book offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature. | 162 SAN MAO PEN NAME OF CHEN PING an exposé of the mismanagement of rural economy during the Mao era focusing on two characters in an agricultural commune who represent the opposing forces within the party between the self-serving ideologues and the truth-seeking realists. Ru s writings tend to pay more attention to characterization than plot development. She is a writer of subtle emotions and her language is straightforward but vivid and fresh. See also WOMEN. - S - SAN MAO PEN NAME OF CHEN PING 1943-1991 . Born in Chongqing the wartime capital of the Republic of China San Mao moved to Taiwan with her parents. A precocious child she had trouble fitting into the public school of Taipei and was subsequently homeschooled. She began publishing stories in her teens but did not gain fame until the release of her first book Sahala de gushi The Sahara Tales which records her personal experience in the African desert. Most of her later works are also based on her own experiences abroad. Wan shui qian shan zhoubian Trip to South and Central America is a travel journal commissioned by the Lianhe Daily after San Mao returned to Taiwan in the wake of her Spanish husband s sudden death in a drowning accident. San Mao taught creative writing at the Chinese Culture University and delivered guest lectures all over Taiwan. Her popularity reached new heights after she committed suicide in a Taipei hospital. See also WOMEN. SCAR LITERATURE SHANGHEN WENXUE . Derived from the title of a short story written by Lu Xinhua and published in 1978 the term refers to literature written in the late 1970s and early 1980s that treats the devastating effects of the Cultural Revolution the scars it left on the minds and souls of the Chinese youth. Liu Xinwu s Ban zhuren The Homeroom Teacher is another work that helped define the humanistic literary movement. While the mainstream of scar literature exposes the negative impact of political movements in the past decades others focus on the moral and .

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