TAILIEUCHUNG - Photoshop cs5 cho nhiếp ảnh gia part 55

Sáng tạo hiệu ứng Đối với một số nhiếp ảnh gia thiên nhiên, mục tiêu là đơn giản để có những shot tốt nhất mà họ có thể vào tài liệu những gì họ thấy và sau đó để tối ưu hóa nó trong Adobe Photoshop. Đó là tiền phạt. nhiếp ảnh gia khác là các nghệ sĩ tiềm ẩn ở trái tim nhưng có thể tin tưởng (đúng hoặc sai) rằng họ không có khả năng vốn có để tạo ra nghệ thuật từ một khung trống | Creative Effects 9 For some nature photographers the goal is simply to take the best shot they can to document what they see and then to optimize it in Adobe Photoshop. That s fine. Other photographers are latent artists at heart but may believe rightly or wrongly that they have no inherent ability to create art from a blank canvas. But given a camera as the starting point and a digital darkroom they can make magic. Of course creativity is an artistic form not every technique appeals to every photographer and some images are more suited for one approach than another. As you read through this chapter consider each technique as a jumping-off point for your own ideas rather than a cookbook approach to creative imagery. 337 CREATIVE EFFECTS Chapter Contents Black and White Painterly Images Filters Digital Montages Digital Multiple Exposures Content-Aware Scaling Black and White 338 Some images lend themselves to black and white to say nothing of the fact that right now black-and-white images are very popular. In fact there is a timeless quality to many black-and-white prints. Converting to Black and White Digital sensors capture images in color but there are a variety of ways that you can easily convert them into black and white. Although some folks may opt to simply desaturate their images by creating a Hue Saturation adjustment layer and sliding the Saturation slider all the way to the left or by choosing Image Mode Grayscale we don t recommend those approaches because the results are often very flat and bland see Figure . Instead we recommend using the HSL options in ACR that we covered in Chapter 3 Adobe Camera Raw or using a Black White adjustment layer or a Channel Mixer adjustment layer in Photoshop. We find that with some images we prefer the Channel Mixer and with others the new Black White tool. Both offer the ability to allow partial color to appear wherever desired. CHAPTER 9 CREATIVE EFFECTS Figure Simply desaturating or just changing the mode to .

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