TAILIEUCHUNG - Photoshop CS4 Studio Techniques- P11

Photoshop CS4 Studio Techniques- P11: Staring at a shelf full of Photoshop books at the local bookstore, it seems that there are more special-effect “cookbooks” and technical tomes than anyone would ever care to read. The problem is that none of those “cookbooks” provide enough detail to really let you feel like you understand the program | Chapter 8 Color Manipulation With this select-and-adjust approach you use the adjustment layer to mask out areas of color Figure and then you refine the result by painting on the adjustment layer s mask with a black brush. If you remove too much of the colorization just paint with white. Painting with white causes the adjustment to apply to a larger area of the image whereas black limits which areas are adjusted. If the color is too intense simply paint with a shade of gray on the adjustment layer which causes the adjustment to apply in differing amounts. The darker the shade of gray the less the adjustment will apply. Another option is to double-click the thumbnail icon for the adjustment layer to the left of the layer name to modify the settings that are being applied. Figure By using the Adjustments panel you can instantly create an adjustment layer to mask out areas of color. Figure Use the Blending Options to balance areas with too much color. With this type of adjustment usually there will be too much color in the darkest and brightest areas of the image. To limit the amount of color applied to these areas choose Layer Layer Style Blending Options while the adjustment layer is active Figure . Pull in the lower-left slider in the Blend If area until all the color is disappearing from the darkest areas of the image. You don t want to remove the color completely so hold down Option Alt and drag the left edge of the slider that you just moved until you get a smooth transition in the shadow areas of the image. Before you click OK move the right slider a short distance and then Option Alt-drag its right edge until the color blends into the brightest parts of the image. With a little experimentation you ll be able to find the setting that looks best for the image Figures and . 286 III Grayscale Color and Print Figure The color of the backdrop could be a little less saturated. Figure After reducing the amount of color in the .

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