TAILIEUCHUNG - Simple Atmospheric Perspective

Tài liệu tham khảo tiếng Anh về hội họa - Simple Atmospheric Perspective | simple CDUCDI ATMOSPHERIC PERSPECTIVE Brenda Hoddinott E-03 BEGINNER PERSPECTIVE ONE In this lesson you render a simple mountain range consisting of foreground middle ground and distant space by using two components of perspective overlapping and atmospheric perspective. Overlapping is a technique that gives the illusion of depth in a drawing and refers to the position of subjects in a composition when one visually appears to be in front of another or others . Atmospheric perspective sometimes called aerial perspective refers to the visual depth created by various particles in the atmosphere. The farther an object recedes into the distance the lighter in value it seems to become and its edges and forms appear more blurred. This lesson is divided into the following three parts -L- INTRODUCTION An illustrated discussion introduces overlapping atmospheric perspective foreground middle ground and distant space. -I- OUTLINING OVERLAPPING MOUNTAINS Three overlapping mountains are sketched within a rectangular drawing format beginning with the one that is closest the foreground and working back toward the distant mountain and the sky distant space . 4- GIVING DEPTH TO A MOUNTAIN RANGE Shading is added to the sky and mountains with squirkles to render the illusion of depth as a result of various types of particles in the atmosphere. This project is recommended for artists and aspiring artists of all ages as well as home schooling academic and recreational fine art educators. 8 PAGES - 13 ILLUSTRATIONS Published by Hoddinott Fine Art Publishers Halifax NS Canada 2005 Revised 2006 2 INTRODUCTION In this lesson you render a simple mountain range by using two components of perspective overlapping and atmospheric perspective. Various elements of perspective are used to help create the illusion of three-dimensional spaces in drawings. Perspective is a method of representing subjects and the individual parts of subjects in a drawing in such a way that they seem to recede into .

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